John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Tangier has created an identity as a great fount of stories and light, complete with an independent cinema that opened in 2007.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
One can't help but think about the concept of cinematic language, as well as spoken language, when talking with Munyurangabo filmmaker Lee Isaac Chung.
Ramin Bahrani's Goodbye Solo prompted Roger Ebert to pronounce him "the new great American directorâ" a couple weeks ago. The film is definitely the writer-helmer's most accessible work to date, one that might very well provide him with an arthouse breakthrough.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
The PFA's series of "essay films," a collection of diverse work, offers the viewer an opportunity to adapt to the peculiar tone of these films.
Gini Reiticker's fine documentary Pray the Devil Back to Hell, opens at SF's Red Vic Movie House and Berkeley's Shattuck Cinemas.
Veteran Burkina Faso director S. Pierre Yameogo's new film shows an isolated society still vulnerable to superstition.
In 2008 the San Francisco Black Film Festival marks its 10th anniversary with the most expansive program yet, flagging the theme "10 Years, 10 Days, 100 Films."
Founded in 1968, San Francisco-based Newsreel is the oldest nonprofit, social-issue documentary film center in the U.S.
In Honeydripper it will no doubt be pleasure to see Danny Glover play a familiar character: The good man trying to gain a leg-up when fortune has rained on his hopes.
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
A masterful stroke by writer-director Abderrahmane Sissako; Luc Besson returns to American theaters after a nearly decade-long absence.